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The Agnostic Violinist
by Josprel
*Name changed to insure anonymity.
Based on a true incident in the lives of the Josprel’s parents.
Broszi Lombardino* and Paul Perrello grew up like brothers. Their
Sicilian immigrant parents met at Ellis Island and settled almost next door
to each other. Shortly thereafter, their sons were born, only two days
apart. Like twins, each had no personal history unrelated to the other.
Both boys studied music and developed into superb musicians. Broszi
became a master drummer who referred to himself as a "percussionist." Paul
was a virtuoso of the violin. He bragged that no one could "percuss
like Broz." Broszi, on the other hand, boasted that the Paul "invented he
strings."
Broszi continuously prodded Paul to form his own orchestra.
"I don't have the patience to lead one, Paul, but you do. I'll be your
percussionist, and I'll help any other way I can."
Finally, The Paul Perrello Orchestra was organized. Orchestras usually
employed "wind" leads, but Paul's violin led this group. The
orchestra's sound instantly captivated ethnic Italian audiences, expanding to
general audiences until it was in demand throughout several states, and
much of nearby Ontario, Canada.
Though he never used the term, the Violinist was an agnostic. He
claimed no one could know that a God existed. He unsuccessfully attempted to
prevent his wife, Sara, from attending church. Only through her
perseverance was Joey, their infant son, christened. Six-foot-three Broszi did
attend church. An irrepressible jokester, he often kidded Paul about
his agnostic religious position. It was a liberty Paul accorded only to
him. That is, until an altercation about orchestra affairs arose.
“You stubborn heathen!” the Percussionist shouted, “I hope you burn in
hell!”
"You impious hypocrite; your lucky we're friends!” the slim,
five-foot-seven, normally mild-mannered Violinist erupted, “You’re worst than a
heathen! You act holy in church, but I see what you do on the outside.
If Grace* knew what you do when we’re out of town, you wouldn’t have a
family left.
"If there were a God, He wouldn’t let you make a fool out of Him, the
way you do. If one did exist, you’d be in your grave right now; He would
have struck you dead a long time ago. I'll tell you this, you big
phony; if I were sure there’s a God I would serve Him the right way, not
like you pretend to do."
Turning to leave, Paul warned Broszi, "And don't you mention religion
to me again - not ever! Is that clear?" Then he stalked away.
Taken aback, Broszi feared he had destroyed their friendship. He and
Paul had argued before, but never like this. They were just brotherly
spats. And Paul had never reacted this way; eyes blazing, fists clenched,
voice ominous.
Broszi knew Paul's charges were true. Out of town with the orchestra,
he partied excessively, gambled, and was not above easy flirtations,
things his wife, Grace' didn't know.
A good family man, Paul did none of these. Moreover, he always was
ready to help others. It was a matter of honor for him never to renege on
his word. His friends claimed that Paul's word was "like money in the
bank."
Though Broszi apologized almost immediately, for weeks they conversed
only when absolutely necessary. Eventually, the gulf closed. The old
camaraderie resurfaced and their mutual concern for each another was
restored.
It was that concern over the percussionist's two inexplicable absences
from rehearsals that now brought Paul to Broszi's door.
***** *****
Home alone, the Broszi was excited to see his friend. "Paul! Come in!
Come in! I've been expecting you!"
Surrendering his hat and coat, the Violinist noticed that Broszi
appeared well. "You've been expecting me?"
"Yes! Yes! I've been praying for God to send you, so you could hear
what happened to me!"
Paul groaned in disgust. "Oh no. I'm here because I’m worried about
you, and you make jokes. Get my things; I'm leaving. Be at rehearsal
tomorrow. And without the jokes!" Broszi sought to placate Paul. "Please
Paul, I beg you; don't leave. It's no joke. I have been praying. Let me
tell you what happened."
Gradually, Paul's indignation melded with curiosity. He had never heard
Broszi beg before. He seemed different, somehow. Accepting the
proffered chair, he responded apprehensively, "Okay, Broz, but, this better be
good."
“I’m born again, Paul,” Broszi began, “I’m going to a church that
teaches right from the Bible and the church services are all in the Italian
language.”
He told of the things he had learned at the church. Then he exclaimed,
"Paul, I never knew these things were in the Bible! I'm saved!”
Unfamiliar with the terms "born again," and "saved," Paul grunted
incredulously.
“What in the world are you talking about? You’ve never even held a
Bible. And you sure never read one. Broz, I don’t know what in the world
you’re talking about. Either you’re drunk or this is another one of your
nutty jokes. And, believe me, when I say nutty, I mean like a
fruitcake!”
"Listen to me, Paul;. Just hear me out. I know you’d love the music in
this church. It has a big orchestra - all the winds and strings, two
pianos, an organ, accordions."
Then, in a tone bordering on awe, he added, "And my drums, Paul. This
church allows me to play my drums in the orchestra. Can you believe it?"
A look of absolute scorn contorted Paul’s features. “Now I know you’re
pulling another one of your practical jokes. Do you really expect me to
swallow your line? Churches never use drums.”
Broszi was about to respond, but Paul lifted a hand for silence.
"Enough, Broz. Just like I thought. This is another one of your sick
religious jokes. You know what I told you about this garbage."
"But it's all true, Paul. The meetings are so happy. The people sing,
and they even clap to the music, and the prayers just beautiful. You
should hear the people pray! They talk to God like He's standing right
front of them."
The earnestness on Broszi's face baffled Paul. It shouldn't be there.
This was a joke.
Reaching across the table, Broszi gripped Paul's wrist, his voice
reverent, "Paul, I know you won't believe this either, but the preacher asks
people to get saved. He prayed with Grace and me. We’re saved! You and
Sara should get saved, too. Grace and I have been praying for you both
to get saved.”
This was more than the violinist could take. Now Broszi was "saved."
“So, you’re saved. How are you saved - in a trunk; a bank maybe? How
about Fort Knox? Now there’s a good place to be saved. I think all the
banging on your drums finally drove you batty. What you really need to be
saved from is your nuttiness. That’s what I think.”
***** *****
Standing, Paul asked for his things. Slipping into them, in a voice
filled with concern, he said, "Broz, at first I thought you were kidding.
Now I'm not sure. I don't know what you’re talking about, and neither
do you. For once, I really hope this is one of your dumb jokes. But, if
you really believe this malarkey you just fed me, then you’ve really
gone bonkers. You need to see a shrink.
“I’m serious about this, Broz. If you make an appointment with one,
I’ll even go with you to keep you company.. Anyway, I’m leaving before
you drive me as wacky as you are.”
As Paul aimed for the door Broszi instantly blocked his path and
gripped the knob. "One more thing; Paul, I'm leaving the orchestra."
The remark stunned the violinist. Broszi had never threatened this
before. At a loss for words, Paul stammered, "B... B... But, w... w...
why? We've disagreed before. The orchestra’s as much yours as mine. Even
though you’re nuts, no one can "percuss" like you. Just don't talk to me
about religion. I’ve told you that before. That's not too much to ask,
is it? Be at rehearsal tomorrow. Just leave all your religious talk at
home."
"No, Paul, I won't be there. Really. I've given up that kind of life.
You know what a hypocrite I’ve been. You told me often enough.”
"Aw, come on, Broz; those were just words when you got me irritated.
They didn’t mean anything."
"But you were right. Anyway, that’s not why I’m leaving. I'm quitting
because my talent belongs to God, now."
Paul felt bile surging. "Look, just let me leave.”
"Will you visit the church?"
"Please, just let me leave, Broz!"
"You can't leave until you promise to go to church with me."
“Now I’m sure you flipped out,” Paul declared, "Let go of the knob and
open this door!”
“Not until you give me your word you’ll to church with me.”
Paul didn't know what to do. He could never really strike Broz; they’d
been buddies too long. Anyway, the percussionist was a lot bigger than
he was. He tried prying Broszi's hand from the knob. His grip was too
strong.
“Let me leave!”
"Not without your promise that the next time we meet, you'll go with
me."
Seeing no other alternative, the flabbergasted violinist finally gave
in.
"O.K! O.K! But it’s got to be an accidental meeting; you’ve got to
promise me that! If you see me any place you’ll know I’ll be, it doesn’t
count.”
"Agreed!” And the door swung open.
Then, with a chill in his tone, Paul spoke the words neither of them
ever thought possible. Face fixed with a scowl, he spaced his words
deliberately, and punctuated each one with a finger jabbed to Broszi’s
chest.
"From now on our friendship is ended. We are no longer brothers.”
And feeling as though his heart had been torn from him, the violinist
stepped through the door.
***** *****
When he arrived home, Paul paced the floor, absorbed in thought. Sara
surmised something had happened, but asked no questions, waiting for him
to speak. Finally, Paul told her everything.
"If he hadn't quit I could have overlooked everything else. Friends
always have their differences. We always got over them before. Sure he
teased me; but I teased him, too. What really makes me mad is his
quitting.
"Now he's religion crazy. He's so holy he can't play in the orchestra
anymore. 'I've given up the kind of life I use to lead,' he told me.
Like he's joining a monastery. Like all of a sudden, his God’s going to
strike him dead for playing in the orchestra. Can you imagine that?"
Waggling a forefinger, he declared, "Believe me, honey, if his God
wanted to strike Broz dead, He has more reasons than I can count. He
doesn't need the orchestra as a reason.”
He lowered his hand. "You know, if he had stayed, he would have
pestered me to visit that church with him, and nincompoop that I am, I’d
probably have gone, just to make the him happy."
Sara looked up from her ironing. She was devoted to her church. It
aggravated her that Broszi and his family had "changed religion." In to her
view, what their former friends had done was unforgivable. "I’m glad he
quit. Don't you ever go to that church, even if you do see him, again."
"Don't worry. I told him it has to be an accidental meeting. In a city
this size that’ll never happen."
***** *****
The new drummer was working out fine. The orchestra was doing better
than ever. Yet, for Paul things weren't the same. A malignant tumor had
developed on Sara's neck. The doctors wanted to operate, but refused to
offer assurances.
As Paul had told Sara, the chance of an accidental meeting with Broszi
in a city of some two million people was remote. He hadn't seen the
drummer for several months. Though still angry with Broszi, it felt
strange not to have him as his confidant. He knew the big man and his wife
would have been as concerned for Sara as he was. Paul missed them.
Like now for instance; before the rift, he would have asked Broszi to
drive downtown with him to help purchase orchestra equipment. They would
have consulted together on the best quality. And possibly, they would
have picked up Sara and Grace for dinner. Instead, Paul went alone.
***** *****
After making arrangements for the delivery of his purchases, Paul
entered the parking lot. He noticed a new bookstore across the street. An
avid reader, he entered the well-stocked shop. Several other persons were
there, but Paul paid them no mind. At the rear, he noticed shelves and
bins filled with hundreds of old books. Old books were his hobby.
He had browsed for a while when someone brushed against him. Making an
apology, without looking up, he moved to clear the passage.
"Hello, Paul." Paul tensed, but kept his eyes glued to the book. That
voice was unmistakable!
"Hello Paul; How have you been?”
This time Paul turned. Broszi’s arm was extended for a handshake, but
the violinist did not reciprocate. Remaining silent, he noticed Broszi
looked well. The season was warm; like Paul, he wore slacks and a sport
shirt.
Broszi withdrew his hand.
“Grace and I heard about Sara. Our whole church is praying for her to
get well.” Paul's continued silence created an atmosphere of
awkwardness. “There he goes, talking about religion again,” he mused.
At last he spoke. With cutting sarcasm he asked, "Did your God tell you
I was here, or did you sniff me out on your own?"
The percussionist ignored Paul’s sarcasm. "This meeting’s completely
accidental, Paul. You know I’d never lie to you."
Paul knew that was true. Broszi had a lot of faults, but lying wasn’t
one of them - if deceiving his wife about his carousing during the
out-of-town gigs wasn’t factored into the equation. At any rate, Sara was
the only one who knew he had gone out. More to the point, he had not
known about the new bookstore, so how could Broszi know he’d be there?
"I suppose now you expect me to visit that church of yours," he stated
bitterly.
"No, Paul. What I did was wrong - totally out of line. It's a wonder
you didn't hit me. I had no right forcing you to make that promise. I
release you from it."
"Oh! You were wrong? And, you release me, yet? Now aren't you the
bighearted one?"
Ignoring the violinist’s sarcasm, the Percussionist responded, "Yes, I
told my pastor what I’d done and he told me it was wrong to force you
to make that promise. I’m sorry, Paul. I have no excuse, except maybe
my ignorance.”
“Oh, so your pastor said you were wrong? Well, it seems that at least
he has some common sense.”
“He’s a good man, Paul.”
“Yeah, yeah, I know. He’s your God’s right hand man, right?”
Broszi again ignored Paul’s sarcastic remark. “Please forgive me,
Paul."
Paul went slack-jawed. Broszi’s eyes were brimming with tears. In all
the years they had chummed together, the only time Paul had ever seen
his former friend cry was when he and Grace almost lost their son to a
swimming accident. Even then, the brawny man shed his tears alone, in a
corner of the room. But these tears were flowing openly - in public!
The violinist felt uneasy - plagued by a vague sense of cruelty. His
sarcasm dissolved. Again, the Broszi extended his hand, and this time it
was grasped. Pulling the smaller man to him, the percussionist embraced
him in a tight bear hug, and Paul could feel tears welling in his own
eyes.
Regaining his composure, Broszi released Paul and asked, "Can Grace
and I visit you and Sara? We really miss you."
"I don't think that's such a good idea. Sara wants nothing to do with
you since you changed religion."
With a heavy sigh, Broszi nodded his understanding.
"Broz, about that promise. I just . . . Well, you know I try to never
break a promise. I just wouldn’t feel right not keeping this one. I've
been limiting the orchestra to local gigs because of Sara's treatments.
I have a few open nights. When's your next mass?"
"Our church is having services every night. They start at seven-thirty.
I’d really like you to attend, but not because of the promise."
Paul’s eyes widened with disbelief. His voice practically exploded from
him. "Every night? You’re going to church every night?”
"Yeah, Paul. Can you imagine?"
Paul shook his head in bewilderment. "Well, give me directions to the
church. I'll meet you there tonight, so I can get that promise out of
the way."
Broszi wrote out the directions. "I'll be waiting in front of the
church." And with a final handshake, they separated.
***** *****
Paul left the house without informing Sara of his destination. His
evenings usually were occupied with the orchestra, so she thought nothing
of his leaving. Still, he felt a twinge of conscience. He and Sara never
kept secrets from each other; this was a first.
The spacious church parking lot already was filled to capacity when he
arrived. So were the near-by curb spaces, forcing the violinist to park
a distance from the church - a fact that surprised him. He had held a
vague concept that Broszi was involved with a small cult, but this
church was a massive, cathedral-like building.
He found the Broszi waiting expectantly. In front of the church, up the
steps, even in the huge foyer - with exclamations of joy, women hugged
women and men embraced men. Never - not even on the orchestra’s most
festive gigs - had the violinist met people who appeared so happy to see
each other.
Broszi also embraced his way toward the sanctuary, often pausing to
say, "This is my best friend, Paul Perrello. We've been like brothers
since we were kids. Please continue to remember his wife, in prayer; she
needs healing."
Paul was overwhelmed by the solicitude these strangers voiced for Sara.
Many even promised to pray daily for her healing. None of his other
friends had ever voiced such solicitude.
"Thank you. Thank you," he graciously responded, "I appreciate your
concern."
Paul took the seat Grace had reserved. Broszi joined the orchestra.
Kneeling worshipers in prayer filled the alter rail; others knelt at their
seats in prayer. Myriad voices, seemingly in rogation, undulated
through the sanctuary. Then, the muted majesty of the great pipe organ softly
blended in, reverently harmonized by the orchestra, Broszi's feathery
metallic swishes adding their rhythm.
Arms raised heavenward, a small man seated on the platform moved to the
pulpit. The singing multitude stood, many clapping, others with arms
lifted high. And, as the glorious worship music saturated the building,
Paul understood what had drawn Broszi here.
***** *****
At first, the sermons confused Paul, but the music continued to drew
him back to the services. Broszi gave him a Bible, marking several
passages for him. Romans, chapter one, stunned the agnostic; it seemed to
refer to him. He often had struggled with the concept that the complexity
of the universe evidenced the existence of an infinite intellect; for
that reason he had never descended into outright atheism. Comparing the
impossibility of an uncreated universe to that of an intricate
orchestral arrangement existing without a master arranger, he had pushed the
troubling thought from him; but there it was in the Bible. Once, the
minister even preached on the chapter. Paul suspected that Broszi asked him
to do so, but he hadn't. The violinist feared telling Sara about the
church and he read the Bible at home in secret. Then one night, he
returned from a gig feeling a profound emptiness.
“If there isn’t a God, there should be one,” he mused, “Life makes no
sense to me without one. This crazy world has no meaning without a God.”
He had read in the Bible that the fool says there is no God. He
remembered the minister preaching that God hears sincere people who want the
truth, even those with hard questions. Paul knew that meant him. He
could no longer live with his agnosticism. He fell to his knees. If God
existed, he wanted to know Him - to serve Him.
"Please God, if you really exist, help me to know you, so that I can
serve you. Please let Sara go to church with me. Please heal her and our
daughter, Laura. I pray to you, through your holy Son, Jesus, just like
that minister said we should do. Amen."
Their infant daughter, Laura, was sick with a high fever. Medication
wasn't helping, and the doctor recommended, "waiting it out." When Paul
asked Sara to take Laura to the church for prayer, to his astonishment,
she agreed.
‘The only reason I’m going is to have the baby prayed for. Nothing has
helped her. I’m going with you just in case that minister might help her.
But, I’m not going to there after that. Is that clear?” Paul nodded.
As always, the enormous sanctuary was filled to capacity, but Sara
thought nothing of it. Her own church was just as large; moreover, as the
wife of a musician, and as a woman who loved to party and dance, she was
accustomed to large gatherings. It was the service that bewildered her.
She couldn’t relate it to anything she had ever before experienced. She
found the music and singing exhilarating, realizing now, that Paul did
not exaggerate when he told her that the music in this church was “out
of this world.”
Mostly, it was the kind of praying these people did that puzzled her.
It was a strange kind of praying. Sara had been told that this was an
Italian speaking church, yet some of the people in the congregation were
speaking in languages she knew were not like any Italian she had ever
heard. She thought that the peoples who were speaking like that were
behaving terribly. Her religion would never put up with that.
***** *****
Though Sara was American born, her parents had always spoken Sicilian.
So had her uncles and aunts. Nevertheless, some of the speaking she
heard at the church stunned her. It mostly sounded like gibberish, but so
did some of the non-Sicilian dialects she sometimes heard her
Italian acquaintances speak. Often, she had tried following their
conversations, but could not. Still, she knew it was some kind of valid
language they were speaking. Maybe these strange people were speaking a
language, and not just gibberish.
She whispered to Paul that a voice in her head kept saying she would be
saved, healed, and baptized with the Holy Spirit that night, and she
didn't understand that meant. Paul eyes widened; he only had mentioned
healing to Sara, nothing else.
The preaching ended and the healing call was given. The minister
progressed down the long line of supplicants, finally reaching Sara, Laura
cradled in her arms, Paul and Grace standing behind them.
Addressing her in perfect English, the minister asked, “Are you saved?”
“I confess that I believed in Jesus Christ and all the holy saints,”
she responded.
“But are you saved? Are you born again? Have you received Jesus Christ
as your own personal Savior?”
“I really don’t understand what you mean. I said I believe in Jesus
Christ and the holy saints.”
The minister explained, “You must receive Jesus Christ into your heart
and life, personally. You must believe that He died to save you from
the power of sin, and that He rose from the grave to give you eternal
life. When you sincerely confess that, He will save you from your sins.”
“But I already believe all those things. My own religion taught them to
me from the time I was a little girl. I’m not a bad person. I’m not a
sinner.”
“Do you read the Bible?”
Sara shrunk back in horror. “Oh, no! Never! I could never understand
that book! My church won’t allow us to read it. My husband reads it, but
I don’t want him to. I try to stop him, but he won’t listen to me.”
The minister smiled gently. Then he prayed for her, lightly touching
her brow. Instantly, Sara’s legs buckled. As she fell to the floor,
Grace grabbed Laura. Covered by a blanket, arms lifted, eyes closed, Sara
sang in a language so soul stirring, that other worshipers wept, but not
Paul. Stunned, he watched Sara’s tumor diminish, and then vanish.
Informed by Grace that Laura's fever also was gone, he just gapped. But
oblivious to time and surroundings, Sara continued her supernatural song.
When she finally opened her eyes and attempted to speak in English,
that melodic language was all she could utter. The phenomenon lasted for
several days. When it ceased, Paul and Sara visited their physician with
Laura, to inform him of the miracles. Having no alternative, the doctor
was forced to pronounce Sara's tumor spontaneously gone, and Laura
healed.
Now Paul knew God existed, and that He answered prayer. Telling his
orchestra he was leaving, he gave all orchestral rights to Frank, his
second violinist and consecrated his own music to God.
Paul and Sara zealously witnessed of God and His Son, Jesus Christ.
They gave their testimony to all who would listen. They held street
meeting in Sara’s hometown, witnessed to Sara’s former religious teachers,
giving glory to Jesus Christ, who redeemed them and who answered the
prayers of a former agnostic violinist.
-30-
© Josprel (Joseph Perrello)
josprel@verizon.net
Josprel's parents were born again when he was three years
of age. Many of those who witnessed the amazing incidents recorded
above, often verified them to the author. The daughter - now deceased - of
the pastor of the church, where Josprel's parents were saved was the
sister-in-law of Josprel's wife, Maria. Present at the above mentioned
service was the mother - a young lady at the time, but now in her late
nineties - of the friend who was Josprel's best man at Maria's and his
wedding. Whenever Josprel visited Western New York and she saw him, she
always reminded him of how powerfully the Lord dealt with parents. Before
departing to be with the Lord, Josprel's father made a recording of his
and Sara's salvation experience. This recording is in the possession of
Josprel's brother. Though Paul, Josprel's father, was an agnostic
before his salvation, Sara, the author's mother, graduated from a Roman
Catholic grammar school and high school; she was a strict observer!
of her religion. The percussionist mention in the story, was
Josprel's godfather. "The Lord has done great things for us, whereof we are
glad."
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